Archives

2017

Science Out of Feminist Theory (Part 1: Feminism's Sciences)

Vol 3, No 1 (2017): Science Out of Feminist Theory Part 1: Feminism's Sciences

 © Patricia Treusch, Courtesy of the artist, 2011

[Image description: Robot in a kitchen clearing out the dishwasher]

Science Out of Feminist Theory Part 2:

Remaking Science(s) 

http://catalystjournal.org/ojs/index.php/catalyst/issue/view/10

Cover Page

Vol 3, No 2 (2017): Science Out of Feminist Theory Part 2: Remaking Science(s)

© Natasha Myers, Courtesy of the artist, 2017

[Image description: Dances with Oak is a series of long exposure images of an oak tree in winter. These images animate both the movements of the photographer and the gestural, expressive movements of the bare tree limbs. For more information about the making of these images, see Myers (this volume)]


2015

Cover of Catalyst Journal. Features close up image of bee, honeycomb, and porcelain matador. Photo credit: William Eakin (2011)

Vol 1, No 1 (2015): Inaugural Issue

Close-up of Matador, Aganetha Dyck, 2010-11. Porcelain figurine, lamp, beeswax. Photo credit: William Eakin, 2011.


2016

Photograph of installation. In the center, there are five, yellow Kevlar dresses. In the background, a large screen of a video installation and a yellow scarf or cloth mounted on wall.

Vol 2, No 1 (2016)

Installation view of Soldadera, a series by Nao Bustamante exhibited at the Vincent Price Art Museum in 2015, curated by Jennifer Doyle. Foreground: Kevlar Fighting Costumes (set of 5), 2015; background: Soldadera, 2015 (video) and Rebozo, 2015 (wall hanging). Photo: Dale Griner

Pen-and-marker close-up drawing of black woman in profile, showing her from the tops of her shoulders to the tips of her afro.

Vol 2, No 2 (2016)

TOYIN OJIH ODUTOLA
New Growth (Maebel), 2013
pen ink and bronze marker on board
13 x 14
22 3/4 x 23 1/2 x 1 1/2 inches framed
©Toyin Ojih Odutola. Courtesy of the artist and Jack Shainman Gallery, New York. [Image description: Pen-and-marker drawing of black woman in profile, showing her from the tops of her shoulders to the tips of her afro.]